There’s a reason romances are sometimes referred to as “bodice rippers.” For many years, they were filled with alpha male characters aggressively taking what they wanted, even if what they wanted was the trembling heroine. We live in a time, however, … Continue reading
Creativity trumps all. If you have a creative, imaginative, compelling story to tell, you’ll find an editor who wants to buy it and readers who want to snatch it up. But if you want to control that story, to tell … Continue reading
Imagine you’re writing a tautly plotted detective story, and your tough-guy PI’s name is Stephen “Sting” Raye. Imagine your beautifully crafted tale has lines like this in it: He saw the setup. He could spot it a mile away. He … Continue reading
Noting continuity issues is a big part of a copy editor’s job. Not just timeline continuity, making sure the author stays true to the days of the week or any mention of time passing, but also continuity within one scene. … Continue reading
“Libby is fast, meticulous, and detail-oriented. I highly recommend her as an editor.” —Courtney Milan, New York Times and USA TODAY bestselling author.
“Like silent mariners, the clouds skittered by, their jejune iconoclasm contrasting with the blue sky’s sterile composure, making Khendra sigh with longing and a deeply felt miasma of melancholy.” Man, that’s beautiful writing, isn’t it? Well, maybe it’s a beautiful … Continue reading
“I highly recommend Libby Sternberg’s editorial services. I’ve worked with more than a dozen different editors over my twenty-six year publishing career in romantic fiction, and Libby is one of the best I’ve used. Some editors try and put their … Continue reading